Because
we had arrived too late Thursday afternoon to have time to see the Vatican, and
because we knew that we would need to head back to Lucca by mid-afternoon
Friday, we decided to go to the Vatican Museum as soon as it opened at 9:00
a.m. on Friday morning, before the lines got too long.
We
were already too late. By the time we
arrived the line already stretched around two corners, meaning probably a
two-hour wait in line. The only thing
more annoying than the mass of people in line was the mass of people besieging
us to purchase a tour pass that would let us bypass the line and go right in
the museum. They were relentless,
following us all the way to where the line turned the corner (where there were
others waiting) and asking, “Do you speak German? English? Swahili?” The fact that we were ignoring them didn’t
matter, and I’m sure the reality of their business is that it is not until the
line reaches sufficient length that customers decide they are willing to pay
the additional fee to skip the waiting.
We
reached the end of the line and made a decision to go to St. Peter’s Basilica
first (the entrances are on nearly opposite sides of the Vatican wall). We followed the wall around to the entrance
to St. Peter’s Square.
Entering
the Square brought back memories of my previous visit. In the summer of 2001, while serving as a
chaperone on Richard Towell’s junior trip to Europe, Rich Hudepohl, Jack O’Donnell,
and I took a Fresciarossa from Florence to Rome, jumped on the Metro to the
Ottaviano stop, and then walked the several blocks to St. Peter’s Square. We had no idea that Pope John Paul II,
seriously ill at that point, was making an appearance, not at the window, but
in the square, blessing weddings, and we got to see that. Because St. Peter’s Basilica is closed when
the Pope is in the square, we were able to beat the crowds as soon as it opened
and climb the 554 steps to the top of the Dome.
I decided not to spoil the memory of that trip by trying to climb again.
The
line to go through security to get into the Basilica was not nearly as long as
the Museum line, and moved fast. The
guidebooks had indicated there was a dress code to get in (no shorts, skirts
above the knee, or bare shoulders) and that it was strictly enforced, so we had
dressed accordingly, but we didn’t see anyone turned away.
St.
Peter’s is vast and impressive, so much so that churches that might have been
impressive pre-St. Peter’s will look ordinary afterward. It covers six acres, could accommodate 60,000
worshippers at one time, and has more art (including Michelangelo’s Pieta) than most great art museums. There’s so much to see that it’s almost
sensory overload, but there are nevertheless things that stand out, inspiring
both awe and a sense of history. There’s
the circular stone where in 800 A.D. Charlemagne was crowned Holy Roman Emperor,
and there are numerous Popes buried in St. Peter’s. In 2001 I remember being impressed by all of
them until I saw a simple sign with an arrow pointing down, saying “Peter,” and
realized that I was at the tomb of St. Peter himself. It lies under the main altar, near the spot
where Peter was crucified.
Before
leaving St. Peter’s we walked to the Museum-Treasury, which requires an
entrance fee and which the guidebooks say is not worth the admission. In the
hallway leading to it is a huge plaque with the names of all the Popes from
Peter to John Paul II. We didn’t linger
to study it, but noted that the first 15-20 Popes have all been sainted but relatively
few since. Were the earliest Popes more
saintly, or has the bar for Papal sainthood been raised? J.D. also wondered why any Pope would call
himself Pius, given that’s an expectation of the job. For different reasons, I
wonder why a Pope would choose the name Innocent.
We
didn’t go in the museum, but Shelley and J.D. bought trinkets at the bookstore
there, including finding the only St. Christopher’s medal in the entire
store. While they were shopping, I went
out in the hall, and was suddenly told to “step aside.” Out of a side hallway came two priests, led
by a handler, on their way to celebrate 10:00 a.m. mass in one of St. Peter’s
many chapels.
You
could teach a semester-long course in church history and never leave St. Peter’s,
but we decided we’d seen enough to give us a taste. Back to the Vatican Museum. In the Atrium as you leave St. Peter’s there
is a counter where you can purchase museum tickets to skip the line for 19
Euros (tickets for the Museum are 15 Euros), the same price you pay in advance
online, and we decided that was worth it.
I’m still deciding if it’s worth it more to skip the line itself or to
be able to get the ticket hawkers off your back.
Our
reservation said we could enter the museum at 11:00 a.m., but at 10:40 we
walked up to the guard and were allowed to enter immediately. Once inside we had to exchange our voucher
for actual tickets, and then we headed for the Museum. We had decided that what we really wanted to
see was the Sistine Chapel, so we followed the signs for the “short cut” to the
chapel.
I’m
not sure what it would have been like without the short cut, but the short cut
wasn’t short. We went through enough
rooms filled with art that I had the distinct feeling that the Sistine Chapel
short cut was a way to expose you to the rest of the museum whether you wanted
to see it or not. The line was slow, for
two reasons. One was the ubiquitous tour
groups being herded through the museum by a guide holding a stick with a
handkerchief or other cloth attached.
Every time there was a logjam it was because one of the groups had
stopped, filling up the width of the hallway.
The other thing that slowed us down was the presence in every other room
of a handy place to buy souvenirs, just to make sure you don’t forget the real
reason for your visit.
There
was a lot of “stuff” available for purchase to commemorate the visit, with my
favorite being the jigsaw puzzle of the Sistine Chapel ceiling. J.D. was disappointed that he couldn’t buy a
souvenir mitre, a “Pope’s hat.” Nothing we saw matched a couple of souvenirs
we had seen outside the Pantheon the previous evening, either the Pope
bobble-head or the Pope bottle-opener, which should be called a “Popener.”
We
finally arrived at the Sistine Chapel, and it was amazing. Michelangelo’s ceiling is exquisite and
detailed and inspiring. It might even be
breathtaking, but that might have been the fact that the room was so crowded
that you could barely move or breathe.
The Sistine Chapel is a place of worship, the Pope’s personal chapel
(and the place where new Popes are elected), so you are supposed to be quiet
and reverent, but it gets noisy, mostly from the loudspeaker announcements
telling you to be quiet.
We
returned to the hotel to check out, then made a final stop at the Colosseum. J.D. decided on the way that he didn’t need
to go inside, and that was good because of the line, but we walked around it,
admiring its historical elegance, and then walked over through the public parts
of the Roman forum. As we left the Colosseum
we had a moment that connected antiquity with the modern world, the first
century with the twenty-first. One of a group of “Roman centurions” who pose
for pictures with tourists was talking on his cell phone.
Before
catching the train back to Lucca we stopped for lunch and talked about travel
and being a tourist. We agreed that we
were more interested in experiencing Rome through its primary attractions than
we were in seeing everything or doing the guided tour where you learn the story
behind the story. If we had more time,
J.D. would have enjoyed a “behind the scenes” tour of the Colosseum, but we
left Rome satisfied.
We
were satisfied because we prefer quality of experience over quantity of
experience. Travel is a “Goldilocks”
experience—you don’t want to see too little, you don’t want to see too much,
you want just right. It is easy to get “tourist
overload,” where you see so much and so many amazing sights that they start to
lose value and meaning.
I remember coming back from our cross-country
trip many years ago and having lunch with a friend at a restaurant. I was describing the trip and said that
Yosemite was nice, but not particularly memorable. A woman sitting in the booth behind me was
offended that I didn’t appreciate how amazing Yosemite is.
I plead guilty to tourist overload on that
trip, and am trying not to make the same mistake on this one. I am really glad to have seen Rome, and that
we will be seeing Paris and London as well, but just as Thoreau could claim to
have travelled widely in Concord, I am also happy to travel widely in Lucca.
Great points about tourism, the commercialization of historical landmarks, and quality over quantity when sightseeing!
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